The Exhibition is taking place at 11 York Road SE1, 12th Floor, at Vo Curations, previous office of David Chipperfield Architects. Some of Dillwyn's work is framed with our eco emulsion in the Energetic Grey, Sensitezed Green and Angelico Pink from the Poison into Medicine Collection inspired by the Nativity by Piero della Francesca that we collaborated together in May this year. The wall at the entrance is also painted in the Angelico Pink. Dillwyn's work is colourful, tasteful and gentle. The colours he chooses are harmonious , the material is translucent and the result is stunning. The space is luminous and the view of London is great. It is the third time that Dillwyn has used our paints to frame his work. The first at the Teacher's Pet Exhibition at www.patrickheide.com where the idea of Poison into Medicine came about, and the second for his wonderful piece as a guest at the Summer Fair at the Royal Academy.
The wonderful work of Dillwyn Smith exhibiting at the Summer Exhibition at the Royal Academy of Arts, Poison into Medicine 8, 254 x 254cm dishdasha, nylon, stretcher framed by our lime wash in Piero Purple from the Poison into Medicine Collection, a collaboration of colour and texture between Dillwyn Smith and Francesca Wezel . Please go to the Colour Collection Page to read the full story
Our biggest project to date. 35 room house, completely painted with our paints, inside and outside. Most of colours made especially for this job. Outside painted with our fantastic lime wash primer. Inside painted in our breathable Eco Emulsion. Woodwork in our Oil Eggshell inside and outside. www.tynanconstruction.ie/woodhouse-estate/
Francesca Wezel's, magazine feature in The English Home July 2014
Francesca Wezel Founder, Francesca’s Paints Wezel founded her own company in 1996, specialising in lime washes for interior and exterior walls and chalky emulsions for interiors. Wezel has a contagious passion for colour and she has travelled extensively to build upon her expertise, learning new techniques for using natural ingredients from different countries.
This is a library and sitting room area in The Cloudesley, a boutique hotel in East Sussex. The owner designed each room himself without an interior designer, however I worked with him to choose the colours, making some special shades especially for him. In a room like this, I would usually pick something like a very dark green, which stimulates intellect. This pinky tone – Rebecca’s Red from our Original Collection – still stimulates the mind but it is also relaxing and cosy. The redness in it is great for igniting the mind for conversation, but the colour is tempered with some brown, so it still has calmness, too. Certainly, a strong colour choice like this is much better for this kind of room than a neutral beige, which would be very dull and you might perhaps feel lost in it. This strong colour makes everything else in the room stand out more. What I like is that only this one colour has been used so it frames the books and makes them a feature. A deep colour will always make things stand out more – in an art exhibition, if you hang art on a dark wall it will make the painting look more alive than if on a white wall. Here, the colour looks fantastic contrasted with the black of the fireplace. This contrast and the elements of other colours from the books and accessories help enliven the pink colour further. Although this is a strong colour, it is still comfortable to be around. This is because of the medium we use; the paint has a high chalk content which makes it softer and changes the absorbency of the light so it is non-aggressive. If the paint had any plastic or vinyl content, it would reflect the light and the colour would be harsher and difficult to deal with, but this paint absorbs the light and creates depth. This matt finish makes any strong, deep colour much softer and accessible. Although this paint colour is from our first collection and has been around for 18 years, it is only in the last four or five years that I’ve seen people become more confident in using strong colours. I think using bold colour is fantastic and makes a room so much more interesting and full of life.
Francesca took a course with amazonails on how to build strawbale houses. What an incredible experience!!! Strawbale building provides beautiful, healthy, sustainable and affordable homes and work places... It is all connected with my breatheable paints.
Colour: First rose of mourn. Product: Eco emulsion